Embedded Memories

The story of a landscape is told through the minerals deposited under its crust, layer by layer. The stories we tell are captured in photography, and in this case negatives, with the visual and verbal elements often playing in harmony and contradiction of one another. In this double woven tapestry, the stories of my childhood are at once preserved and distorted, displayed and concealed. 
2021, Detroit, Michigan and Joshua Tree, California

Processes: weaving, natural dyeing



Process

Preliminary illustrations of mineral deposits at Joshua Tree National Park
Naturally dyed warp threads being dressed on the loom. 
Color study from memory of mineral deposits.



Meet Me in the Entryway

My first double weave attempt served as a fraught love letter with dried flowers collected and given to me over the years. The process of preserving these tokens of affection ultimately distorting the clarity of their original meaning.
2021, Detroit, Michigan

Processes: weaving, flower pressing







VIVI by VIVI

Limited batch clothing and accessories based on material explorations facilitated through tech and craft.
2022, Detroit, Michigan

Processes: natural dyeing, laser cutting, illustration, embroidery (digital and analogue), painting, textile manipulation, and pattern making.

 




Process

Previous natural dyed experiments used for appliqué.
Illustrations vectorized and used for machine embroidery.




Desert X-Ray  

Dazzling colorways, ghostly silhouettes and highly adaptive plants exist within the harsh desert climate. The Joshua Tree landscape became a fertile research ground. I was particularly struck by the rich textures and silhouettes of decomposing cacti and color palettes of the mineral rich soil. The series includes weavings and cyanotypes.
2021, Joshua Tree, California
Processes: cyanotype, observational drawing, painting





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